Archive for the ‘Communicating CSR’ Category


What biodiversity loss looks like?

Monday, July 26th, 2010

When looking for best examples of communications about Biodiversity, I came across this visual created by Julia Diel, a student of The Offenbach Academy of Art and Design (Germany). I think this striking image summarises well the risk we are facing with regards of biodiversity losses!

This visual was created in 2007 for a German campaign Schuetzt biologische vielfalt ( Protect biological diversity ) no longer available online….

“Biodiversity is considered a prerequisite for a functioning ecosystem, and human beings are only capable of surviving in such an ecosystem. The widespread extinction of species is thus a threat to our own existence. In general, however, people have yet to realize this. This campaign is designed to change that. In order to speak especially to people with little interest in environmental protection, the threat is discussed in terms of society. Politics, sports, music, and entertainment all work—just as nature does—only thanks to the uniqueness and the diversity of their protagonists and the interplay between them. When these groups are stripped of their diversity, this demonstrates the fatal consequences such one-sidedness can have and how important it should be for the future to protect biodiversity.”

Source: http://www.hfg-offenbach.de/w3.php?nodeId=3927&pVId=99392232


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Caroline Martinot

Water matters

Wednesday, June 30th, 2010

The United Nations describes the current state of “our” water resources as a “water bankruptcy”. This water crisis has several causes and consequences:

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The categories for the Global Green Awards 2010 are now online.

Tuesday, April 13th, 2010

The Green Awards is looking for the best examples of ‘Green marketing‘, ‘Ethical advertising‘ and ‘Sustainability communications‘ from the  past 12 months. This could be for any communication, project, campaign or website etc.

To mark its fifth birthday, the Green Awards is going global. For the first time, all 17 categories will be open to entrants from all over the world.

The categories for the 2010 Global Green Awards are:

* Best Green Educational Project (Promoting Sustainable Development Issues) - NEW
* Best Fair Trade Campaign Award (Any Media) - NEW
* Best Green New Product Innovation - NEW
* Best Social Marketing Campaign Award - NEW
* Best Green Third/ Charity Sector Campaign Award
* Best Green Financial Product Award - NEW
* Best Green Advertising Award (Print & Outdoor)
* Best CSR Report Award
* Best Green Direct Response Award (Direct Mail /Drtv / Dr Radio Etc)
* Best Green Event Award (Shows / Exhibitions)
* Best Green Internal Communications Award
* Best Green Mixed Media Award (Integrated)
* Best Green Moving Image Award (Audio-Visual / Tv Spot / Short Film / Animation)
* Best Green Packaging Award
* Best Green PR Campaign Award
* Best Green Public Sector Communication Award
* Best Green Use Of Online Media Award (Banners / Social Media Campaigns / Websites)
* Green Awards Grand Prix (Awarded by the Judges)

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“Defra proposes tighter control of green claims”

Wednesday, March 31st, 2010

REPRODUCED - Article by Alex Brownsell, marketingmagazine.co.uk, 30 March 2010

The government is to discourage brands from using terms such as “green”, “environmentally friendly” and “eco” when promoting products.

The recommendations are among changes proposed by Defra to its Green Claims Code, which the department is revising for the first time since 2003.

The draft guidelines, which, if adopted, will inform the CAP and BCAP advertising codes and provide a point of reference for the ASA, encourage the legitimate promotion of sustainable products.

They suggest that advertisers should avoid using “vague and undefined” terms in promotions. This would include describing products and services as “sustainable”.

In the case of a new green technology or environmental issue, Defra suggests brands partner public and private sector bodies to help educate consumers, before launching their own campaign.

The draft code recommends “choice editing” by brands, including promoting greener options with price discounts and loyalty rewards, and reducing the prominence or availability of less environmentally friendly alternatives.

Brands making claims about future performance, as energy company EDF has with its 2020 carbon-reduction campaign, would be subject to annual third-party progress checks. If a company did not meet targets referred to in its marketing, this would be “made clear in the public domain”.

Ads such as Crédit Agricole’s green banking activity may also be affected by the guidelines.

Robert Keitch, head of brand and membership at the Direct Marketing Association, said many brands are yet to realise that advertising around greener products can provide a “competitive advantage”.

However, there remain concerns that the revised guidelines would not achieve their goal of rewarding companies that address the impact of their product on the environment.

Blake Ludwig from environmental pressure group We Are Futureproof,said:”The crux of the whole problem seems to be when we define something as ‘green’.

“Something that is less bad isn’t the same as something that is good. At the moment [the code] doesn’t do enough to pull apart those who are genuinely doing things in an environmentally friendly way from those who are greenwashing.”

http://www.marketingmagazine.co.uk/news/993420/Defra-proposes-tighter-control-green-claims/

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Green 2.0 Marketing Sustainability in a World of Collaborative Creativity

Monday, March 29th, 2010

The Green Awards in the National Geographic “Green” Supplement, Spring 2010

Wednesday, February 24th, 2010

Read the full supplement here.

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In the mood for Green?

Tuesday, February 16th, 2010

Green is funky, Green is sexy, Green is wacky!

If you think that climate change and sustainability communications are dull and boring, well think again. Here is a sample of exciting comms that intend to showcase environmentally friendly behaviour as cool and sexy.

“God save The Green”

These three short movies directed by Nadege Winter aim to inform people about energy efficiency by diverting the traditional codes of environmental activism.  Imagine that you run into a peep show. You see a beautiful pin-up naked, but instead of engaging in an erotic conversation, the beautiful woman gives you a lesson of ecology.

Unfortunately you can see these only from France. But here is the teaser that will, I hope, feed your imagination.


“Fuck For Forest”

FFF is a project created by a non-profit environmental organisation founded in Norway.  The two persons behind the concept adopted a refreshing perspective to help addressing deforestation issues. FFF basically produces pornographic films whose profits go directly to reforestation projects. They were officially backed by the Norwegian government and received seed funding to help launch the concept.

You can buy their videos here.

“Green Porno”

Green Porno is a series of short movies written and directed by the ex-model and actress Isabella Rossellini. The quirky little movies combine ecology and pornography. Both comic and instructive they are the result of genuine scientific research and observation. They help viewers understand how gnats, cockroaches and other bees reproduce. An anthem to biodiversity….

You can watch the three episodes on Sundance Channel.

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Author Caroline Martinot

The GREEN Awards in National Geographic!

Thursday, February 4th, 2010

GREEN is delighted an article about their 2009 Green Awards is featured in the “National Geographic Green” first issue.

National Geographic names the Green Awards as the “Green Oscars” and writes : “Proving your business is worth its weight in green initiatives has become increasingly important, not least since the creation of The Green Awards.”

National Geographic Green magazine is a quarterly magazine supplement “dedicated to exploring the broad er environmental debate and offering information about consumer products and choices” .The free 120-page publication ‘GREEN’ is being distributed to 250,000 subscribers with the December issue of National Geographic magazine. The first issue entitled “How green is London”, explores the capital’s ecological credentials.

You can read the full issue and the Green Awards article at http://www.greennatgeo.co.uk

Credits: National Geographic winter 09-10

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Green the scenesters: non-mainstream climate change communications

Friday, January 8th, 2010

It’s a fact: Climate change communication can sometimes be dim and dull. Few communication campaigns succeed in reaching their targets, raising awareness and sparking off a reaction. Add to this that many campaigns are aiming at hitting an unidentified and obscure target known as “the people”. Defining your target, digging into its aspirations, motivations and the channels to reach it, is the preliminary step of any successful communication campaign.

This task can be even harder when you try to reach an audience which defines itself as “not mainstream” and is fighting hard not to be labelled or targeted. But this is exactly the challenge that Greenpeace and the Blacksmoke art collective tackled when they set up a project to communicate climate change issues to the British underground “scenesters”, a young British sub-culture group (“urban middle class adults and older teenagers with interests in non-mainstream fashion and culture” –Wikipedia).

The Danger Global Warming Project is an independent multimedia initiative aimed at raising awareness around climate change issues through the medium of art and digital media.  Artists from all over the world were asked to incorporate Greenpeace’s black and yellow warning tape motif into artworks of any forms. As a result, multimedia pieces of art (video, image, installation…) were submitted from all over the world.

The collective has efficiently dug into its audience culture to highlight its motivations (the hunt for exclusive arts) and aspirations. The campaign features sharp music bands like Utah Saints and underground stars such as Bruce LaBruce and Billy Childish; artists few people know, but icons for the British underground scene. Blacksmoke is going against a majority of climate change campaigns that feature global celebrities such as Leonardo Di Caprio, thus aiming at reaching the wide majority of “people”.

Blacksmoke aim at creating a buzz in the British underground scene and on the internet. Visuals and clips are relayed on the web through Facebook, MySpace, and YouTube etc.

One can however question the efficiency of such an unconventional campaign. Indeed the use of alternative artists pushes the target audience to focus more on the communication channel than on the actual message. Just flick through the comments posted underneath the pieces of art on the internet and you will see that the majority of posts are actually more interested in the artistic happening than in the message conveyed.

The campaign manages to reach its target audience (get a foot in the door) but actually fails to transmit the message (pass the door) and therefore inspire action. This observation leads to the question to what extent climate change communication can be tailored to an audience’s motivations and “scene” without dissolving the message in everyday life inspirations.

As an example of the material featured in this campaign, you can watch below the Danger Global Warming tune, remixed by Utah Saints and video clip by Alexandre Athane, “As an allegory for recycling, influential musicians and DJ’s from around the world are remixing the official Danger Global Warming theme tune, featuring lead vocals by Hugh Cornwell and a 35 piece orchestra”.

Caroline Martinot

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Reducing Deforestation And “Digital Media Tree-Wash”

Monday, December 21st, 2009

Article reproduced, author: Donald Carli*

Most people will tell you that they care about saving our forests, but they tend to be uninformed or misinformed when it comes to knowing the causes of deforestation or some of the places being affected most significantly by land use change that kills trees, pollutes rivers and contributes to climate change. Until recently the conventional wisdom has been to demonize paper and print media as the major culprit behind “killing trees” and to idealize digital media as “green and groovy” alternative without consideration for the full backstory or life cycle footprint of either.

Pixels Don’t Grow on Trees

Paper and print media supply chains are far from being sustainable, but may be far less of a threat to forests than the “Tree-Wash” claims about how digital media saves trees or how pixels are greener than pages. “Tree-Wash” is my term for a special class of “greenwash” making false, misleading or unsupported marketing claims that ignore the causes of deforestation associated with digital media, or that fail to identify the actual trees and forests allegedly being saved or planted.

However, the Copenhagen Climate Summit and technologies developed to verify land use are likely to play a major role in changing the status quo with regard to foot-printing forests, identifying trees and the calculating the climate impacts of coal-powered IT.

Are You Seeing REDD yet?

Deforestation and the sustainable management of the world’s forests are serious issues that should be top of mind given the world’s focus on climate change. Trees sequester carbon equal to half of their dry weight, and scientists estimate that as much 20 percent of total emissions of the greenhouse gas carbon dioxide (CO2) are emitted due to deforestation, land use change and forest degradation. For that reason, Reducing Emissions from Deforestation and Forest Degradation (REDD) is a major issue that will be addressed in Copenhagen.

Sustainable forestry will play an increasingly important role in supporting the literacy and sanitary existence of the world’s growing population. In addition to providing millions of jobs and providing the wood fiber used to produce over 350 million tons of paper per year, the world’s forests also serve as the planet’s “lungs” by converting or “sequestering” atmospheric carbon dioxide into woody biomass and providing other important environmental services. In addition, sustainably harvested forest biomass will increasingly be employed by a new generation of integrated biorefineries to replace fossil fuel energy and petrochemical feedstocks.

According to some reports just one day’s deforestation is equivalent to the greenhouse gas emissions of eight million people flying to New York; in order to address such a serious challenge and provide a basis to monitoring the reduction of deforestation and forest degradation, an impressive array of geo-locative and remote sensing capabilities are being developed to map the world’s forests and identify the location of individual trees with startling precision.

For example, as part of the Global Forest Resources Assessment 2010, the Food and Agriculture Organization of the United Nations (FAO) and its member countries and partners is undertaking a global remote sensing survey of forests covering the whole land surface of the Earth. FAO is also providing technical support for national forest assessments and the establishment of national forest monitoring systems. See: Global Forest Resources Assessment

Do You See the Forest or the Trees?

Remote sensing of forest biomass and geo-locative tagging of trees will become increasingly important as the exemption of carbon dioxide emissions from bioenergy use will only be appropriate if there is a system that also counts emissions from deforesting land and land use activities that degrade forest ecologies. In that way, if biomass for energy use results in deforestation, emissions are counted as land use emissions equivalent to fossil fuel emissions. However, these new applications will also be making it possible to stem the tsunami of “Go Digital, Save Trees” Tree-Wash marketing claims that many marketers of e-billing, e-books and digital media have been flooding the market with.

One of the little known but significant causes of deforestation in the United States related to digital media is the practice of Mountain Top Removal, employed to mine the coal used to generate electricity in states like West Virginia. In 2008 over 41 million tons of coal were extracted by means of Mountain Top Removal in West Virginia. Coal provides the majority of electric power in 32 states, and 99 percent of the electricity generated in West Virginia comes from coal.

The Environmental Protection Agency (EPA) estimates that by 2013 an area the size of Delaware will have been deforested to extract coal. In addition to the greenhouse gas emissions associated with the energy consumed by digital media’s IT infrastructure, the deforestation, toxic air pollution and water pollution impacts associated with coal mining, coal combustion and coal waste need to be considered before making claims about digital media being greener than print or saving trees.

Truth in Augmented Reality

Deforestation, illegal logging and land-use changes that result in greenhouse gas emissions and other environmental damage are serious matters that billions of people care about. With today’s advanced remote sensing and geo-location capabilities consumers have every reason to expect marketers making claims about their offerings saving trees, or resulting in the planting of trees, to identify the trees in question and account for the life cycle impacts associated with their products. Even if the FTC does not yet prosecute such cases, that would not preclude a competitor from calling on the National Advertising Review Council to review the truthfulness and accuracy of a green marketing claim.

As we enter the “Post Madoff” trust-but-verify age of social-media powered transparency and climate awareness, it is becoming more possible and important than ever to monitor the green message content and supply chain impacts of advertising. Pixels may not grow on trees, but it is increasingly likely that remote sensing and augmented reality pixels can and will be used to hold marketers responsible for the carbon footprint of their media supply chains and the truthfulness and accuracy of advertising claims they make about saving or planting trees.

*Author: Donald Carli
Senior Research Fellow
Institute for Sustainable Communication
http://www.sustaincom.org

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